Not heated but here you are, still replying before I can even leave the page. Got that F5 button worn out yet?

funny thing is, is that I said I'm not leaving a comment communicating towards your dumb ass, but i guess This one needs to be the last one. I hope your alzheimer's doesn't kick in within 5 seconds and forget this comment, and here let me brake those other comments down for you. they weren't meant for you.

Saying "I'm done with Your dumb ass" doesn't mean I am not going to leave a comment towards others, so try and get your comprehension skills up.

Backs I miss you. Atleast when you made fun of me it was genuineeeeeeeeeeee :'((((((

"I'm done with you", Directs following post at me.

Sorry, let me read up on understanding some "Unknown Languages".

Just logging in this rare instance to say "nice track, bro."

for the genre, its really short.. should have made it longer,

Turned it off at the :32 second mark.

Go away racist

Sounds pretty decent, I don't listen to this kind of genre too often but if you're fine with some constructive feedback then see below:

Low to low-mids - these areas in the frequency spectrum sound quite boxy overall and are lacking some clarity, particularly with your kicks, claps and percussive loops. I'd suggest some fine tuning using some further EQ and applying a small tidy to give these a sense of their own space.

High frequencies - minus some of the synth sounds which sit in the mid to low-high spectrum there's not much in the high end of the frequency spectrum to offer a bit of 'shimmer' or 'air' to the mix. You could look at adding some percussion.

Space - I like interesting use of space in mixes and this one seems very centrally panned so as the song progresses there's nothing sonically or interesting popping out. You could consider using good use of delays, auto-pans for some of your vocals or by adding some light percussion (as above) you can fill up the spectrum.

Perhaps a reference track? https://www.youtube.com/watch?v=TBO8SsBoOCA

My girlfriend asked if I was listening to The Weekend lmao!

Wow thanks for the break down. I think I agree with all your points. The acoustics at my new place + being too lazy to keep doing everything definitely peaked my mixing to prematurely. This is however a soft launch. I’m shooting a music video for it and will put it through more of a mastering process before releasing the video.

This is a good thing I think

I would say that it's more of a mixing process and small production touches that you should be covering and not confusing this with the mastering process.

Essentially you should be getting everything sounding great from the project file and all of your individual elements cleaned before you start loading up iZotope for example towards the end.

Also, I wouldn't master within the same project, bounce down your track and then work directly from that in either .WAV or .AIFF format.

Noted. I’ll work on that